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Oz Magazine - January / February 2016

January 25, 2016

On Set, in Post and On the Screen: An Interview with Drew Sawyer

Whether he’s on the set of an indie Sundance horror film dressed only in a pair of bloody boxers or working with a talented post production team on an episodic television series, Drew Sawyer loves telling stories. His company, Moonshine Post-Production, has a rapidly expanding portfolio of start-to-finish post production projects, from fe...

January 25, 2016

We’re so accustomed to seeing helicopter aerials in our daily lives that we take these bird’s eye views for granted. Manned by able pilots and camera operators, helicopters deliver traffic reports, breaking news and disaster coverage to our local TV stations and national news networks. They capture sweeping scenics and expansive cityscapes that orient our favorite TV shows in time and place. They chas...

January 25, 2016

The Strong Growth of Drone Operators Working in Film & TV Production

“The way you can tell how a drone pilot is feeling is to look at his feet,” says Tim Foster, as the eight propellers of his CineStar-8 Quadrocopter chirp like a chorus of birds and start to spin. “If he’s relaxed and still, like this, it means everything’s okay. If he’s shuffling around, like this, it means something might be off. And...

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